Margarita Altidis
The Monkey's Paw
I.
Synopsis of the story: Set in England,
Sergeant Morris visits the White family after returning from a foreign military
mission. Sergeant Morris brings along a small souvenir—a monkey’s paw. The paw
is said to bring three different men three wishes, and Sergeant Morris cautions
against using the paw’s power. After attempting to burn it, Mr. White objects
and takes the paw for himself. Once Sergeant Morris is gone, the Whites wish
for 200 pounds. The 200 pounds is delivered to the Whites as compensation only
after their son, Herbert, is crushed in a factory machine.
II.
Standards and Objectives:
a.
CC.9-10.R.L.3 Key Ideas and Details: Analyze how complex
characters (e.g., those with multiple or conflicting motivations) develop over
the course of a text, interact with other characters, and advance the plot or
develop the theme.
b.
CC.9-10.W.3 Text Types and Purposes: Write narratives to develop
real or imagined experiences or events using effective technique, well-chosen details,
and well-structured event sequences
c.
CC.9-10.W.5 Production and Distribution of Writing: Develop and
strengthen writing as needed by planning, revising, editing, rewriting, or
trying a new approach, focusing on addressing what is most significant for a
specific purpose and audience.
d.
CC.9-10.W.6 Production and Distribution of Writing: Use
technology, including the Internet, to produce, publish, and update individual
or shared writing products, taking advantage of technology’s capacity to link
to other information and to display information flexibly and dynamically.
III.
Day 1 Procedures:
a.
As the opening to class discussion, students
will be asked to journal about the following question: If you were granted
three wishes, what would they be? Why would you wish for those things? What
would be some consequences for those wishes? This will serve as the
brainstorming for their writing prompt. (5 min)
b.
Introduce the story “The Monkey’s Paw” by WW
Jacobs. Students will be shown a couple of images of the book covers, a
monkey’s paw and asked some pre-reading discussion questions (4-5 min):
i.
What do you feel/think of when you see this
image?
ii.
What kind of story (genre) do you think this
could be? Comedy? Drama? Horror story?
iii.
Take a look at the following quote from the
text: "’ [the monkey’s paw] had a spell put on it by an old fakir,’ said
the sergeant major, ‘a very holy man. He wanted to show that fate ruled
people's lives, and that those who interfered with it did so to their sorrow.”
(The quote is used here to bring the text directly into conversation)
1.
What do you make of this quote?
2.
How do you think this quote connects to the
monkey’s paw?
c.
Instead of reading the text aloud, the class
will watch the film version of the text to get an intense audio-visual reading
of the story. http://www.youtube.com/watch?v=ugjegclLNhM (35 min)
i.
Individually during the film, the students will
take down notes about one character in the film and how that person is
characterized (appearance, mood, emotions, reactions, dialogue). Students will
be divided into groups and each group will be responsible for one character. The
following characters will be assigned:
1.
Mrs. White
2.
Mr. White
3.
Sergeant Morris
ii.
Halfway through the film (minute 14) we will
pause and make inferences/quick discussion about what we’ve seen so far (2
min). Continue the film.
d.
After viewing the short film, a choice of 2
writing prompts will be presented:
i.
WW Jacobs uses vivid language to characterize
the people in his story. However, we do not necessarily get a particular
character’s feelings and thoughts. Using the characterization chart that you
filled out while watching the film version of “The Monkey’s Paw,” as well as
the text for inspiration, write an interior monologue for one of the
characters. An interior monologue is a
character’s innermost thoughts, ideas, and feelings. The interior monologue can
take place during one or two particular scenes in the story, as a reflection of
the events after the ending of the story, or as an extension of the ending. Be
sure to include details about the character’s appearance, actions, attitude,
and feelings during the beginning, middle, and end of the story. This assignment
may take different forms. These forms can include, but are not limited to, diary/journal
entries, Facebook profile, or blog. The monologues must include characterization
details for the beginning, middle, and end of the story.
ii.
WW Jacobs’ short story “The Monkey’s Paw” is a
great example of how even the simplest decision, like making a seemingly
harmless wish, can lead to major consequences. Using the three wishes you wrote
about in your journal at the beginning of class for inspiration, choose one of
those wishes and write a parallel story using Jacobs’ writing style. To be successful in this assignment, be sure
to craft a story that has a logical sequence of events, uses dialogue, and sensory
details to pain the picture. This assignment should be completed in a minimum
of three pages.
e.
Homework: Students should think about which
option they would like to pursue.
IV.
Day 2 Procedures:
a.
Pre-Write Practice (25 min)
i.
Each student should find a partner as they
come into the classroom. Each person will write a half-page interior monologue from
their partner’s perspective about what they might be thinking at this very
moment. Questions to consider: How do they look today? What is their mood like?
What do they have with them? Use lots of details!!
1.
Share 3-4 monologues with the class.
ii.
Next, students will find a different partner.
Each person will write a one page story about a superhero power that their partner
has. They may choose to write a story about one of the following prompts: How
did your partner get his or her power? Describe a time that the superpower was
used for good. Describe a time that the superpower was used for evil. Use lots
of details!!
1.
Share 3-4 stories with the class.
b.
Individual Planning (15 min)
i.
Students will have time to work individually
on the proposal for their assignment using a planning worksheet with the
following questions:
1.
Which prompt are you choosing and why?
2.
If doing the interior monologue, which character’s
perspective will you be writing from?
3.
If choosing to write a parallel story, what
wish is the basis for your narrative?
4.
What are the events in your monologue or story?
Where do they take place? What other characters are involved?
5.
Write as many details as you can about your
main character.
c.
Pair Planning (10 min)
i.
Students may continue to work individually on
their proposal, consult the teacher, or work with a partner on completing the
assignment.
d.
Proposals will be due at the end of the class
to be looked at by the teacher for comments.
V.
Day 3 Procedure:
a.
Proposals with comments will be given back to
the students.
b.
Students will spend the entire class time drafting
their interior monologues/short stories. If available, students will type their
drafts.
c.
Homework: A rough first draft should be
completed by Day 4 for peer review.
VI.
Day 4 Procedure:
a.
Students will be given 15 minutes at the beginning
of class to finish up rough drafts and add any other touches before giving to a
peer (15 min).
b.
Before handing off to another person, each
student should indicate the following on his or her paper (3 min):
i.
Underline the parts you are most proud of
ii.
Put a squiggly line under things you are
unsure of (words, phrases, punctuation, dialogue)
iii.
Bracket the paragraphs that need the most work
c.
Students will be placed in groups of 3-4. Each
group member will receive post-it notes to write on. In their groups, students
will read each other’s work, paying close attention to the writer’s marks as
well as making suggestions on the piece as a whole. They will switch papers
until everyone has read all of the essays (20 min).
d.
Writer’s Reflection: After reading the
comments, students will write a one page note to the teacher answering the
following questions: What did you find most difficult about reading other
people’s work? Did you feel the essays were engaging? What components were in
an engaging essay? What needed improvement in the essays? What kinds of ideas
did you get for your own assignment? How are you going to improve your assignment?
e.
Homework: Come to class with a clean copy of
your draft—do not lose your post-its!
VII.
Day 5 Procedure:
a.
Warm-up Activity (15 min):
i.
Students will be shown a picture of Justin
Bieber (or any other popular teen star) and as a class we will come up with a
list of sensory details to describe Justin:
1.
What does he look like?
2.
How does he act?
3.
What does he do?
4.
What makes him unique?
5.
How does he feel?
ii.
Ultimately, this is what questions students
should be asking themselves about the characters in their parallel story or in
their interior monologue.
b.
With their clean drafts, students will be asked
to reflect upon their use of sensory details and descriptions (5 min):
i.
Circle your really good sensory
details/descriptive words
ii.
Put a squiggly under the words/phrases you can
improve
c.
On a separate sheet of paper, students will
make a list of all of the words they would like to improve. As a class, we will
sit in a circle. Each person should pass their paper to right and each person
should make a suggestion for a different word/phrase on each person’s paper. We
will switch papers every 30-60 seconds until everyone has made suggestions on
each other’s papers. (20 min)
VIII.
Day 6 Procedure:
a.
Final writing and teacher conferencing.
b.
Homework: Hard copy of monologues and stories due
on Day 7. All monologues and stories must also be posted to the class blog.
IX.
Day 7 Procedure:
a.
Writer’s reflection (10 min): How does it feel
to be finished with the writing assignment? What was the most difficult part?
How did you make improvements along the way? What strategies did you use to
write your drafts?
b.
In-Class sharing—at least 6 interior
monologues and 6 short stories to be shared from the class (40 min).
c.
Homework: Browse the class blog. Choose one of
your classmate’s projects and write a one page reflection about it. How did it
make you feel? Was it engaging? What did the person do well? Did you like it?
X.
Assessment and Evaluation
a.
CC.9-10.R.L.3: All students will fill out the
characterization chart for one of the characters, looking for examples of how
the character’s looks, feelings, and actions change throughout the text. The
students who choose to write the interior monologue will continue to explore
how the characters thoughts and feelings change through their writing.
b.
CC.9-10.W.3:
Students who choose to write the parallel story to “The Monkey’s Paw” will have
to craft a story that follows a sequential storyline and use language similar
to WW Jacobs. In order to do this, students will need to carefully craft their
narratives with sensory details and a well sequenced series of events.
c.
CC.9-10.W.5: Students will practice writing
and revising throughout their project. They will do this during peer review,
teacher conferencing, and when they are looking to improve their sensory
details. Students are also asked to reflect before during and after the writing
process.
d.
CC.9-10.W.6: Students will use technology to
present their stories to one another on a class blog. They are also required to
access this technology to look at their peer’s work and write a reflection on
it. Students will also be using computers to type their stories.
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