Wednesday, October 31, 2012

Speak lesson plan


This novel follows the story of a high school freshman named Melinda Sordino who is persistently haunted by a secret—she was raped at a party the summer before school started, and this event has traumatized and effectively silenced her. Struggling to find some semblance of self expression, Melinda must find a way to move forward although she feels paralyzed by the events of her past.

Speak by Laurie Halse Anderson
          I.     Standards & Objectives
A.   Key Ideas & Details: Determine a central idea of a text and analyze its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
B.    Reading Standards for Literature #3: Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of the text, interact with other characters, and advance the plot or develop the theme.
        II.     Procedures
A.   Students will have finished reading this book.
B.    Play the song “The Sound of Silence” by Simon & Garfunkel and distribute lyrics. (5 min) http://www.youtube.com/watch?v=BvsX03LOMhI
C.    Discuss which lyrics of this song pertain to Melinda and her journey—particularly the lines “A vision softly creeping left its seeds while I was sleeping” and “I saw ten thousand people, maybe more. People talking without speaking. People hearing without listening. People writing songs that voices never shared.” Use these lyrics to generate discussion about Melinda’s silence and inability to open up (10-15 min.)
D.   Have class stand up and all stand on one side of the room behind a line of masking tape
E.    Call out different events/experiences and tell students to cross the line if they have ever done/felt this—i.e. felt left out, felt like you couldn’t speak up, had a secret, lost touch with a friend who was once close (15 min.)
F.    Divide class into groups of 4 or 5 and have each group discuss why Melinda felt she could not speak up, and what it was that made her finally speak up. Students can share personal experiences to relate to each other—discussion should reflect the empathy that Melinda so desperately needed
G.   Distribute a short paper response to the day’s activities. Paper should be 1-2 pages in length, and should pertain to Melinda’s silence, and how her silence could have been ended much sooner. Students should talk about the “If you really knew me exercise” regarding how a lack of empathy can cause us to judge people we truly do not know
      III.     Assessments
A.   Key Ideas & Details: Silence is the prevailing theme of this lesson, so the writing assignment should definitely refer to silence as an overwhelming theme of the novel and the role that it plays in Melinda’s character evolution. Students may refer to the song lyrics and group activities done in class to support their analysis of this theme.
B.    Students should recognize that Melinda is not silenced for the entirety of the novel; she does eventually break her silence, and that is a key part of her characterization. The writing should at least mention that she does, in fact, break her silence eventually.

The Great Gatsby


Party at Gatsby's

Overview
The basic overview of this lesson is connecting a great novel about the aspects of the American Dream to the modern day point of view of 21st century students.  In Fitzgerald's novel, there were many characters who thrived on the titles of "upper class citizens", but this did not necessarily equate to happiness or satisfaction.  This activity will not only emphasize the importance of social interaction within this text, but it will also give these students an opportunity to portray their own interpretation of the American Dream and also the flaws in the "Pursuit of Happiness" system that is generally associated with wealth and popularity.  By associating this older text with 21st century cinema and also modern day social networking, it will also give these students a better chance to connect with this influential text.
Standards and Objectives
a.) CCSS.ELA-Literacy.RL.9-10.3 - CC.9-10.R.L.3 -Key Ideas and Details: Analyze how complex characters develop over the course of a text, interact with other characters, and advance the plot or develop the theme.
b.) CCSS.ELA-Literacy.RL.9-10.5 - Craft and Structure: Analyze how an author’s choices concerning how to structure a text, order events within it (e.g., parallel plots), and manipulate time (e.g., pacing, flashbacks) create such effects as mystery, tension, or surprise.
c.) CCSS.ELA-Literacy.RL.11-12.7 -  Integration of Knowledge and Ideas: Integrate and evaluate multiple sources of information presented in diverse formats and media (e.g., quantitative data, video, multimedia) in order to address a question or solve a problem.
Procedure
1.) After reading The Great Gatsby, the students will watch The Great Gatsby film that is coming to theatres soon.
2.)The students will create a Significant Differences chart between F. Scott Fitzgerald's Novel and the Hollywood rendition of the text.
            i.) Why did the director choose to leave certain things out of the film?
            ii.) If you were the director, would you make the same cuts/put in the same additions?
3.) If there was a present-day "Party At Gatsby's", what would it look like?
            i.) Do the materialistic drives of West Egg connect to American society today?
            ii.) Have the students discuss some examples of materialism in today's society.
4.) "Party At Gatsby's" Activity: Have the students re-create a "Gatsby Party".  The students will choose a setting that can be created in the classroom as well as deciding the characteristics of their role in the party that would properly imitate one of Fitzgerald's characters, or one from the movie version.
5.) The students will then create an invitation to the event in a modern day fashion.  For example, the students can create the invite by formatting a "Facebook Event" that covers the basic details about the party (i.e. Date, Time, General Information about the party)
6.) The next day, the setting will be created in the classroom and the students will take on these roles.  This will help the students understand the emphasis of social activity in Gatsby's world.
7.) After the activity, students will write a response paper on the activity from the point of view of their character. How did you feel the party went?  What were some differences between the party portrayed in Fitzgerald's novel and the party in the classroom?
            i.) Example: If a character was imitating a modern day Gatsby, the student would bring write on the success of the party, his relationships with Daisy (or the Daisy-like character), etc.).
            ii.) Example: If a character is Nick Carraway, how is this environment from the point of view of an outsider/newcomer?
Assessment and Evaluation
a.) The students will be able to see The Great Gatsby in another perspective by seeing it as a film.  This Hollywood rendition of the text will also bring forth another connection with the students, because there are some familiar actors in the film.  The assessment of their understanding of the text and the film will be determined through their work on the "Significant Differences" chart.
b.) Their participation in the "Party at Gatsby's" activity will also demonstrate each student's creativity and it also gives them to create a personal interpretation as to how this novel about the upper-class white population from the early 20th century can connect to their lives.
c.) The final portion of the activity is their response papers they will have an opportunity to take character beyond what they brought to the table during the interactions in class.  This can give non-vocal students in the class an opportunity to participate and create a creative point-of-view.  The project in its entirety is based on emphasizing the creativity of the student and their control of how their classroom "party" is structured.  This will also give them an assignment to work on their grammar and punctuation. 

The Brief Wondrous Life of Oscar Wao Lesson Plan


Text:
The Brief Wondrous Life of Oscar Wao by Junot Díaz
            Synopsis: Oscar, an intellectual, nerdy Dominican-American, is a protagonist torn between two worlds.  On one hand, he is Dominican, obsessed with women, and called upon by his friends and family to live a hyper-masculine lifestyle.  On the other, he is a nerd, is obsessed with sci-fi and fantasy, and has ever had a girlfriend.  In a world where these two identities are thought to be unable to coexist in one person, Oscar struggles to adhere to social and cultural norms, to find love, and to forge for himself an identity that encompasses all of who he is.  The novel also explores the lives of his mother Beli and his grandparents in the Dominican Republic as well as the stories of his sister Lola and his college roommate Yunior. 

Standards:

3.            Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme.

5.            Analyze how an author’s choices concerning how to structure a text, order events within it (e.g., parallel plots), and manipulate time (e.g., pacing, flashbacks) create such effects as mystery, tension, or surprise.

6. Analyze a particular point of view or cultural experience reflected in a work of literature from outside the United States, drawing on a wide reading of world literature.

Procedure:

Note: This lesson plan involves reading a novel together as a class, so it will span at least several days, depending on how quickly the reading, writing assignments, and discussions take the class.  Rough estimates have been suggested, but the reading process and other activities should not be rushed. 

15-20 min
Students will break into four groups, with each group being given a different “Whatcha Gonna Do?” scenario.  Each group will read their scenario and write about it individually from the perspective of the character they have been asked to be.  The four scenarios, from the perspective of Yunior, Abelard, Beli, and Oscar are as follows:

1.     You are a college student trying to figure out your housing situation for the next semester.  Most of your friends already have roommates, and you are running out of options.  Then your friend comes to you and asks you if you’d be interested in rooming with her nerdy, notoriously unpopular brother.  Rooming with him has the potential to be social suicide, but your friend is worried about her brother and has asked you for a favor.  If you decline, there’s a good chance you could end up living alone.  “Whatcha Gonna Do?”

2.     The authoritarian dictator of your country has taken an interest in your oldest daughter.  If you surrender her to him, she will end up used and discarded, or perhaps even dead.  At any rate, chances you’d see her again are low.  The dictator invites your family to a party and expressly insists that your daughter must attend.  If you bring her to the party, he’ll take her from you for sure.  If you go without her, you’ll be disobeying the dictator, and who only knows what horrifying consequences could follow.  If you try to flee the country with your family, you could be captured and killed, but if you do nothing they could eventually come for your daughter.  “Whatcha Gonna Do?”

3.     You are a mother whose life growing up was fraught with tragedy.  You struggled against your mother, who wanted you to attend school and carry on your family’s legacy of intellectuals.  You yearned constantly for escape, and one day you took it, running off with a man you loved called the Gangster.  He betrayed you, and you were viciously beaten and brutalized as a result.  Now you are a mother whose daughter has that same taste for adventure, that same desire to escape.  She has been showing signs that she might run off with her boyfriend.  You want her to be happy, but you can’t seem to forget how your own “escape” turned out.  “Whatcha Gonna Do?”


4.     You’ve just recovered from a horrible beating that was administered by your lover’s angry, domineering boyfriend.  You were lucky to escape with your life, but you can’t seem to stop thinking about the girl.  Your family has warned you to stay away from her, but you love her more than you can ever remember loving anyone else.  If you go to her, there’s a good chance you’ll be attacked again, but if you stay away, there’s a good chance you’ll never love anyone else the same way again.  “Whatcha Gonna Do?”

Several days
The scenarios are all from different parts of the novel, which we will read together as a class, alternating between the teacher reading aloud and short periods of silent reading.  Before we get to each corresponding section in the novel, the groups will present their different answers to the question “Whatcha Gonna Do?”  After they have presented, we will have a short class discussion responding to the different predictions or options regarding what will happen next.  Then we will read the scene from the novel as a class and compare and contrast it with the group’s decisions. 

When we reach the second scenario, we will have a minilesson on flashbacks.  With the third, we will have a minilesson on parallel plots.  With the fourth, we will have a minilesson regarding Dominican culture, especially in relation to the concept of fate/curses and sexuality/masculinity.  

25-30 min
After we have finished reading the entire novel, students will write a paragraph or so detailing how the novel would have gone or ended differently if the character whose perspective they were asked to consider had acted according to their ideas rather than what actually happened in the novel.  If a student’s scenario is very similar to what actually happened, he or she will write about how that decision influenced the outcome of the novel. 

20-30 min
Students will work in pairs with a student who had a different scenario to peer edit each other’s paragraphs, giving feedback and making suggestions as to how they can improve.  Students will then be given a chance to revise their work. 

10-15 min
Students will then share their alternate endings or insights with the class.  To incorporate publishing, the paragraphs will be typed and hung around the classroom for other classes to view throughout the coming days. 

Assessment:

15-20 min
The standards, along with a general understanding of the material and concepts presented in the novel, will be assessed in a group discussion where the following questions will be posed. 

1. How did your character develop as a result of the decision he or she made in the novel at the moment described in your scenario? At least one student with each scenario should speak.  (Standard 3)

2. Beli’s and Lola’s stories are examples of a parallel plot.  Beli’s and Abelard’s tales are flashbacks from Oscar’s lifetime.  How do the use of parallel plotlines and flashbacks affect the pace and feel of the novel? (Standard 5)

3. How does the influence of their Dominican heritage influence the decisions and lives of Oscar and the other characters?  (Standard 6)

4. How does their Dominican culture influence how their point of view regarding the concept of fate?  (Standard 6)

5. How does Oscar’s Sci-fi/Fantasy culture influence and interact with his Dominican one?  (Standard 6)
The Outsiders by S.E. Hinton                                          

(7th-8th grade)  

Overview:
This writing assignment will be the culmination of the student’s reading of The Outsiders by S.E. Hinton.  Throughout the reading of the novel, I will give the students topics on which to do a bit of in-class research.  These topics will have to do with some of the aspects of the novel that the students might not know much about.  These topics will include “Tulsa, Oklahoma,” “Fashion in the 1960s,” “Music in the 1960s,” “Rodeo,” “1960s Slang,” and “Social Class.”  The students will have time in class when these topics are assigned to spend about ten to fifteen minutes making notes on the topics.  At the end of the reading, they will have these research notes to use for the writing assignment.  Also during the reading of the novel, we will talk about the way the story is narrated in the first person by Ponyboy as he tells his story.

Standards/Objectives:
1)      CCSS.ELA-Literacy.W.7.7 Conduct short research projects to answer a question.
2)      CCSS.ELA-Literacy.W.7.3a Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.
3)      CCSS.ELA-Literacy.W.7.6 Use technology, including the Internet, to produce and publish writing.

Procedures:
1)      Begin by asking the students to take out their research notes.  The notes will be together in packet with each topic labeled that the students will receive at the beginning of reading the text.  Ask the students to share some of what they found in their research of the different topics.  What did you find interesting? What was something new that you learned? (10-15 minutes)
2)      Use the rest of class to introduce the writing assignment.  Tell students that they will use what the research they have gathered to write a short creative essay about a day in the life of a character from the story from the time they wake up to the time they go to bed.  The paper should address the following within the story of the character’s day:
a.       What kind of clothing is the character wearing?
b.      What kind of music does the character listen to?
c.       What hobbies does the character have?
d.      What is the character’s family life like?
e.       What is the character’s social class?
f.       Anything else about the character’s life that the student would like to include
3)      Have character’s names on slips of paper in a hat and have the students choose a name from the hat.  These can include any of the characters EXCEPT Ponyboy.  Examples:
a.       Darry, Sodapop, Two-Bit Mathews, Steve, Dally, Johnny, Sandy, Cherry, Marcia, Randy, Bob, Paul, Tim Shepard, Curly Shephard
This paper will be written from the perspective of a character in the book.  Since the book is written from Ponyboy’s perspective, he will not be one of the characters that the students can write about.  However, they should model the novel’s style of a first person narrative.  The reader is given less information about these supporting characters that they are about Ponyboy.  The students will be able to use the information they were given in the story, along with their research, to create a day-in-the-life story about a character other than Ponyboy.
4)      For the first 15-20 minutes of class each day during the writing project, we will discuss different aspects of creative writing.  These mini-lessons will include such topics as:
a.       Narrative
b.      Backstory
c.       Persona
d.      Chronological sequencing of events
During the rest of class time after these mini-lessons, students will work on their writing assignment using the elements of the mini-lesson to help with their writing.  While they work on their writing, I will walk around the room and talk to the students individually about their projects and give them feedback.  (1 week of class)
5)      After the students finish the first draft of their papers, they will come into class and sit at tables that have been labeled with group members.  The students will work with their group to peer edit and provide feedback for each student’s paper. (2 class periods)
6)      The students will spend the final day of the project looking online to find pictures that represent some of the things that they talked about in their papers. (1 class period)
7)      We will put together a bulletin board of our “A Day in the Life” projects. They will hang their typed papers and pictures on the bulletin board outside of the classroom.

Assessment/Evaluation:
1)      Look over the students’ research notes after each assignment to see that they are gathering information about each topic.
2)      Provide feedback for the students during the drafting process and help them to integrate what they learn in the mini-lessons into their paper.  Read the students’ papers to see if they stayed true to the character they were representing while also following the format of a day in the life.
3)      Make sure that the student used resources available on the internet to make the finished product creative.

















Tuesday, October 30, 2012

Twelfth Night and She's The Man!



Al Merkley
Mark Dressman
CI 401
31 October 2012

Twelfth Night and She’s the Man: A Comparative Unit
Standards
Reading Standard for Literature #3: Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme.
Reading Standard for Literature #4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone).
Writing Standard #2-B: Develop the topic with well-chosen, relevant, and sufficient facts, extended definitions, concrete details, quotations, or other information and examples appropriate to the audience’s knowledge of the topic.
Writing Standard #10: Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.
Procedures
Context: Students are in the middle of a unit in which we are reading Shakespeare’s Twelfth Night while watching She’s the Man, which is a modern film adaptation of the story that retains many important textual details, such as place and character names. On a typical day, we spend the first half of class reading and discussing scenes from the play, and then we spend the second half of class watching the corresponding scenes in the movie. During movie viewing, the students (who are seated in small groups) are required to keep a group reading log chronicling the differences between the play and the movie. Since we are midway through the book and movie, students have a good sense of how each story has been progressing. Today, instead of watching the movie/keeping a reading log, students will be given a creative writing assignment to be completed in groups. Procedures are explained below.
1.     Have students take out their copies of Twelfth Night to begin class.
2.     Class will start with an analysis of Act III, Scenes I and II of Twelfth Night. I will be using directed reading to teach these scenes to the class
a.     In this reading/discussion, which should last approximately 20 minutes, I will use directed reading to advance through these two scenes. Students will follow along in their books as I read and analyze the important points.
b.     I will stop frequently and ask for student input and opinions about the happenings in the text, and I will also describe the events in an easy-to-understand, relevant manner so that students can better connect with them. We will be sure to review characterization, vocabulary, and plot structure. I will frequently ask students to rephrase lines in standard modern English so that they gain experience with reading and interpreting archaic English writing.
c.     Directed reading will ensure that students have read the important parts of the text. It will also ensure that they understand what occurred in the text.
3.     After completing directed reading of these scenes, have students get into their assigned small groups in which they have been working during this unit.
4.     Explain today’s creative writing assignment (to be completed individually, but group discussion and brainstorming is required):
a.     It is the student’s job to predict how the scenes that we read today in class (3.1 and 3.2) will be cast in She’s the Man.
b.     Students have seen enough of the movie and read enough of the play to have a sense for how the movie adjusts the play’s plot to fit into a modern high school setting. Students are also familiar with the characters of the play and movie, which is necessary for this assignment to be successful.
c.     In their groups, students will brainstorm possibilities for how 3.1 and 3.2 are cast in She’s the Man, and each student will submit a one page handwritten account of their predictions.
d.     Students can consult their reading logs that we have been completing which chronicle the differences between the play and the movie. Based on what they’ve written so far on these logs, they may be able to make inferences about what will happen next in the movie by citing patterns and trends that they have noticed regarding discrepancies between the play and the movie.
e.     Students will not be graded on accuracy; instead, points will be awarded for effort and for thoughtful, logical, detailed predictions that mesh well with the scenes from the movie that we have already watched.
5.     After using the remainder of the class to write their responses, students will turn in their responses to me at the end of class. If it is apparent that much more time is needed, students will be allowed to finish the assignment at the beginning of class tomorrow.
6.     Finally, students will be told that tomorrow’s class will begin with watching the corresponding scenes of She’s the Man; this will allow students to test their predictions for accuracy.
Evaluation
Reading Standard for Literature #3: Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme.
·      This standard will be assessed through our discussion and reading of scenes 3.1 and 3.2 during the first half of class. We will analyze the major plot events and examine how characters are essential to the story. We also will discuss character depth and interaction.
Reading Standard for Literature #4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone).
·      This standard will be assessed during our discussion and reading of 3.1 and 3.2 during the first half of class. Through my leadership of directed reading, we will pause at important/unusual words and phrases and determine the meaning of the passages that we read. This will help students improve their textual comprehension skills. They will also develop a better understanding of textual elements such as tone/setting through our discussion and analysis.
Writing Standard #2-B: Develop the topic with well-chosen, relevant, and sufficient facts, extended definitions, concrete details, quotations, or other information and examples appropriate to the audience’s knowledge of the topic.
·      This standard will be assessed through the students’ creative writing responses. Students will be asked to consult their reading logs during the writing activity to search for patterns and trends that we have seen thus far when comparing the play and the movie. They will have to use these facts, as well as context clues and background knowledge, to make their predictions about what will happen next in She’s the Man. Perhaps the most important element of the writing responses is the requirement for students to make inferences and think creatively; their responses will be assessed based on effort and attention to detail, as well as creativity.  
Writing Standard #10: Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.
·      The ongoing nature of this unit allows for a series of reading log entries and writing responses that will satisfy this standard.